24,337 Royalty-Free Audio Tracks for "Midi Files Of Music By Ludwig Van Beethoven"

A Bull of Heaven musical piece.

The Gnostic Bible (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said, I shall choose you as one from a thousand and as two from ten thousand and they will stand as a single one."

The Gnostic Bible* (eds. Willis Barnstone and Marvin Meyer) From chapter "Early Wisdom Gospels", section "The Gospel of Thomas" "Yeshua said to them, When you make the two into one, and when you make the inner like the outer and the outer like the inner and the upper like the lower, and when you make male and female into a single one, so that the male will not be male nor the female be female, when you make eyes in place of an eye, a hand in place of a hand, a foot in place of a foot, an image in place of an image, then you will enter the kingdom." The Gospel of Thomas is a Coptic text with many different variations. This version (from the Gnostic Bible) is the most likely source for these two titles, based on what we know of BoH's interest in religion and how exactly the phrases match.

Henry V, William Shakespeare Act III, scene vi "HENRY: I tell thee, herald, I thought upon one pair of English legs Did march three Frenchmen."

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Enosis, Christopher Pearce Cranch "We are spirits clad in veils: Man by man was never seen: All our deep communing fails To remove the shadowy screen."

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

A Bull of Heaven musical piece.

Masnavi, Jalal al-Din Muhammad Rumi "We all are lions, but lions on a banner: because of the wind they are rushing onward from moment to moment. Their onward rush is visible, and the wind is unseen: may that which is unseen not fail from us!"

Speech sampled in the piece comes from Peter Brook's 1979 film adaptation of G.I. Gurdjieff's book Meetings with Remarkable Men.

At the Mountains of Madness, H. P. Lovecraft "Another race - a land race of beings shaped like octopi and probably corresponding to fabulous pre-human spawn of Cthulhu - soon began filtering down from cosmic infinity and precipitated a monstrous war which for a time drove the Old Ones wholly back to the sea - a colossal blow in view of the increasing land settlements."

Death, Percy Bysshe Shelley "First our pleasures die--and then Our hopes, and then our fears--and when These are dead, the debt is due, Dust claims dust -- and we die too."

Rumores de la Caleta Op 71 by Isaac Albéniz

Valse les sirènes (op. 154) (1878) d’Émile Waldteufel

Català: Partitura inèdita d'Enric Granados dedicata a Issac Albèniz. Font: Museu d'Art de Girona Score by Enrique Granados dedicated to Issac Albeniz. Source: Girona Art Museum. Granados wrote, "A mi queridísimo Isaac" which translates as "To my beloved Isaac"

Suite espanola op. 47 - leyenda

Final de la Symphonie N°1 de Louis Vierne - Cathédrale de Monaco 2004

sound sample from Symphony Fantastique, Berlioz

Georges Bizet: L'Arlésienne Suite Nr. 1, 1. Satz (Ausschnitt) Sinfonie-Orchester des Hessischen Rundfunks, Kurt Schröder (Dirigent) Aufnahme vom 8. September 1948 im großen Sendesaal Eschersheimer Landstraße Georges Bizet: L'Arlésienne Suite no. 1, first movement (excerpt) Frankfurt Radio Symphony, Kurt Schröder (conductor) recording from 8 September 1948 in the Eschersheimer Landstraße broadcasting studio

Italiano: Enrico Caruso canta Pimpinella (registrazione 78 giri)

Former national anthem of Afghanistan used from 1992 to 2006. Composed by Ustad Qasim in 1919; he died in 1957.

Klaviersonate Nr. 19 g-moll, op. 49.1 - II. allegro

Klaviersonate Nr. 4 Op. 7, E-Dur - III. allegro

Klaviersonate Nr. 9 E-Dur, op. 14.1 - I. Allegro

Klaviersonate Nr. 11 B-Dur, op. 22 - I. allegro con brio

Klaviersonate Nr. 3, Op. 2.3 C-Dur - IV. allegro assai

Klaviersonate Nr. 5, Op. 10.1 - I. Allegro molto e con brio

Klaviersonate Nr. 10 G-Dur, op. 14.2 - III. Allegro assai

Klaviersonate Nr. 3, Op. 2.3 C-Dur - I. allegro con brio

Klaviersonate Nr. 13 in Es-Dur, op. 27.1 Quasi una Fantasia - II. allegro molto e vivace

Klaviersonate Nr. 18 Es-Dur, op. 31.3 Die Jagd - I. allegro

Klaviersonate Nr. 29 B-Dur op. 106 Hammerklavier - I. allegro

Klaviersonate Nr. 2 Op. 2.2 - I. allegro vivace

Klaviersonate Nr. 20 G-Dur op. 49.2 - I. allegro ma non troppo

Klaviersonate Nr. 13 Es-Dur op. 27.1 Quasi una Fantasia - IV. Allegro vivace - Presto

Klaviersonate Nr. 12 B-Dur, op. 26 - IV. allegro

Klaviersonate Nr. 24 in Fis-Dur A Therese - allegro vivace

Klaviersonate Nr. 4, Op. 7 in E-Dur - II. largo con gran espressione

Klaviersonate Nr. 10 G-Dur, op. 14.2 - I. allegro

Klaviersonate Nr. 15 D-Dur op. 28, “Pastorale” - I. allegro

Klaviersonate Nr. 31 As-Dur, op. 110 - IV. Fuga Allegro, ma non troppo

Klaviersonate Nr. 7 in D-Dur, op. 10.3 - II. largo e mesto

Klaviersonate Nr. 3, Op. 2.3 C-Dur - III. allegro

Klaviersonate Nr. 4, Op. 7 E-Dur - I. allegro molto e con brio

Piano Sonata No. 21 in C major,Op. 53, Waldstein. I. Allegro con brio. Sonate pour piano n° 21 en do majeur, opus 53. II Allegro con brio.

Klaviersonate Nr. 7 D-Dur, op. 10.3 - IV. Rondo - allegro

Klaviersonate Nr. 16 G-Dur op. 31.1 - I. allegro vivace